Gábor Gadó, who is mostly apostrophized as a jazz guitarist, once again overwrites our jazz concepts with his new musical material. The dialectic of composition and improvisation will unfold this time without a rhythm section, through a dialogue between contemporary classical musicians and jazz musicians, and after a long time, as far as Gadó's oeuvre is concerned, vocals will also play a prominent role. In the wind section, Gábor Gadó combines the expressive power of his co-creators on his latest records, insofar as the unforgettable trumpet player of Veil and Quintessence, the Belgian Laurent Blondiau, and János Ávéd, the saxophonist of the album Whispering Quiet Secrets Into Hairy Ears, who knows no bounds in the richness of sound, bring all their experiences from jazz. In the classical section, strings contribute to the character of the music with defining colors - different from the romantic world of sound - in the person of Tamás Zétényi, one of the outstanding cellists of contemporary music life, and Éva Csermák, a violinist living in Berlin. If the two-two musicians give the side walls of the house, then Veronika Harcsa, who has been stretching in the direction of classical music lately, is the roof: she is filling the instrumental constructions with additional intellectual content as the lyricist of the songs. But beyond what form this music will take - whether it will be a church or a pub - depends on many factors, all of which are planned by the excellence of organic music architecture, Gábor Gadó.